When the most recent movie of Vanity Fair came out I read a good review of it, it made me not want to watch the movie but rather read the book. I found a lovely Barnes and Nobel edition that was big, but light and had over a hundred of Thackery's illustrations in it. I put off reading it for awhile as it was so long but started it a few weeks ago and finished it today.
I loved it so much, I think it's one of the best novels I've read recently. I think definitely my favorite 19th century novel. It was so much fun, so elegantly written, so many wonderful passages I wish I had space to write them all out here. While maintaining proper dignity it also seemed to have reached the point where the characters were allowed to be people. Where they could have otherwise than the purest of motivations and the author didn't find it necessary to put in the false confessions and repentance found in books like Moll Flanders and Dangerous Liasons. I think because of that it seemed much more believable. Written in an almost chatty style, there were so many wonderful bits I barely no where to begin. Dobbin was one of my instant favorite characters, I was so pleased that things worked out for him in the end. Amelia so pathetic, as the author was always quick to point out, in her virtue and goodness, got to realize the mistake of it all. And Becky "such a villainess she even hated her own son" was practically perfect.
I think one of the most appealing things to me was the fact that so much of the book took place in Russell Square, after a short while I realized that was where SOAS is located and so I clearly needed to start paying closer attention. That way I could say everything I learned about living in London I had learned from Vanity Fair. The most important part of which was clearly how to get by on zero income a year. Apparently I need to get lots of credit, and indulge in a little gambling. I also need to have a nice pint of Porter on my return to England. There was definitely a strong financial aspect to the book, all about credit and income and how one needed so much to live. Yet it seemed to have a greater appeal than similar arguments did in Moll Flanders.
I have no idea how you could make the book into a two hour movie. I am curious now I've read it to see it. However, my video store also has a BBC miniseries of the book, which seems like a much better place to start. I just have such strong images of the characters in my head, I fear I don't want to shatter those images with someone else's vision. The worry is not so much over Becky as some might suspect but I don't know how they could possibly come close to filling Jos' shoes.
I loved it so much, I think it's one of the best novels I've read recently. I think definitely my favorite 19th century novel. It was so much fun, so elegantly written, so many wonderful passages I wish I had space to write them all out here. While maintaining proper dignity it also seemed to have reached the point where the characters were allowed to be people. Where they could have otherwise than the purest of motivations and the author didn't find it necessary to put in the false confessions and repentance found in books like Moll Flanders and Dangerous Liasons. I think because of that it seemed much more believable. Written in an almost chatty style, there were so many wonderful bits I barely no where to begin. Dobbin was one of my instant favorite characters, I was so pleased that things worked out for him in the end. Amelia so pathetic, as the author was always quick to point out, in her virtue and goodness, got to realize the mistake of it all. And Becky "such a villainess she even hated her own son" was practically perfect.
I think one of the most appealing things to me was the fact that so much of the book took place in Russell Square, after a short while I realized that was where SOAS is located and so I clearly needed to start paying closer attention. That way I could say everything I learned about living in London I had learned from Vanity Fair. The most important part of which was clearly how to get by on zero income a year. Apparently I need to get lots of credit, and indulge in a little gambling. I also need to have a nice pint of Porter on my return to England. There was definitely a strong financial aspect to the book, all about credit and income and how one needed so much to live. Yet it seemed to have a greater appeal than similar arguments did in Moll Flanders.
I have no idea how you could make the book into a two hour movie. I am curious now I've read it to see it. However, my video store also has a BBC miniseries of the book, which seems like a much better place to start. I just have such strong images of the characters in my head, I fear I don't want to shatter those images with someone else's vision. The worry is not so much over Becky as some might suspect but I don't know how they could possibly come close to filling Jos' shoes.